Fake or Fortune? Alexander Dorner and the Weimar Reproductions Debate

نویسندگان

چکیده

Between 1929 and 1930 the Der Kreis journal hosted a debate among art historians museum directors on how copies were changing landscape. The so-called Hamburger Faksimile-Streit constitutes crucial moment in Weimarian theoretical categories of copy original, culminating few years later Benjamin’s well-known essay work art. After examining theses main participants debate, this article focus position curator director Alexander Dorner – only one advocating for non-superiority originals over museums his relationship with Walter theories.

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ژورنال

عنوان ژورنال: Venezia arti

سال: 2021

ISSN: ['0394-4298', '2385-2720']

DOI: https://doi.org/10.30687/va/2385-2720/2021/07/006